The pose of the Good Shepherd figure in the Catacomb of SS. Pietro e Marcellino in Rome can be traced to:

The pose of the Good Shepherd figure in the Catacomb of SS. Pietro e Marcellino in Rome can be traced to Option B. Calf-Bearer from Archaic Greece.

The Catacomb of SS. Pietro e Marcellino is an ancient underground burial site in Rome that contains Christian art and symbols dating back to the 4th century. One of the notable depictions found in the catacomb is that of the Good Shepherd, a common representation of Jesus Christ in early Christian art.

The pose of the Good Shepherd figure in the Catacomb of SS. Pietro e Marcellino bears a resemblance to the pose of the Calf-Bearer from Archaic Greece. The Calf-Bearer is an ancient Greek sculpture that depicts a young man holding a calf on his shoulders. The figure is shown in a contrapposto pose, where the weight of the body is shifted onto one leg, creating a naturalistic and dynamic stance.

In early Christian art, the pose of the Good Shepherd was often adapted from existing artistic conventions and classical influences. The influence of the Calf-Bearer sculpture can be seen in the way the Good Shepherd is portrayed with one foot forward, a relaxed and natural stance, and a gentle, caring gesture toward the sheep.

This borrowing of artistic poses and techniques from earlier cultures and civilizations was common in the development of early Christian art. It allowed the artists to create relatable and accessible imagery for the Christian audience while incorporating elements from the broader artistic traditions of the time.

Overall, the pose of the Good Shepherd figure in the Catacomb of SS. Pietro e Marcellino can be traced to the Calf-Bearer from Archaic Greece, demonstrating the interplay and influences between different artistic traditions in the development of early Christian art. Therefore, Option B is Correct.

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